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The Journal of the American Institute for Conservation (JAIC) is an international peer-reviewed periodical for the art conservation profession. The Journal publishes articles on treatment case studies, current issues, materials research, and technical analyses relating to the conservation and preservation of historic and cultural works. The topics encompass a broad range of specialties including architectural materials, archeological objects, books and paper, ethnographic materials, objects, paintings, photographic materials, sculpture, and wooden artifacts. Started as the Bulletin of the International Institute for Conservation-American Group (IIC-AG), in April 1961, the Journal matured into its current form in 1977. Since that time JAIC has become a repository for the core body of conservation information through its documentation of new materials, changing methods, and developing standards in the conservation profession. The four-color publication is distributed three times a year to AIC members and museum, library, and university subscribers.

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Another key player in the Chinese titanium dioxide industry is CNNC Hua Yuan Titanium Dioxide Co., Ltd. The company was founded in 1958 and is a subsidiary of China National Nuclear Corporation (CNNC). CNNC Hua Yuan Titanium Dioxide is known for its state-of-the-art production facilities and dedication to research and development. The company's products are widely used in coatings, plastics, and other industries, making it a highly influential manufacturer in the global titanium dioxide market
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china titanium dioxide manufacturers.

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In conclusion, lithopone ZnS-BaSO4, as a vital pigment in numerous industries, relies heavily on dedicated and reliable suppliers. Their commitment to quality, innovation, and customer service is paramount in sustaining the growth of this sector. As the demand for cost-effective and environmentally sustainable pigments continues to rise, the role of these suppliers in providing high-quality lithopone will only become more critical in shaping the future of the pigment industry.

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