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The use of TIO2 in water treatment facilities harnesses the power of advanced oxidation processes (AOPs), which involve the generation of hydroxyl radicals that can decompose a wide range of organic pollutants. When exposed to ultraviolet light, TIO2 triggers a reaction that not only breaks down contaminants such as pesticides and pharmaceuticals but also facilitates disinfection by destroying harmful microorganisms without producing harmful byproducts.

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In conclusion, the Products with Titanium Dioxide Factory plays a crucial role in meeting the demand for high-quality titanium dioxide products in the market. Their commitment to innovation, quality, and sustainability sets them apart from other factories, making them a preferred choice for customers around the world. By investing in research and development and adopting cutting-edge technologies, the factory continues to stay at the forefront of the titanium dioxide industry, providing reliable and efficient products to their customers.

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Although barium sulfate is almost completely inert, zinc sulfide degrades upon exposure to UV light, leading to darkening of the pigment. The severity of this UV reaction is dependent on a combination of two factors; how much zinc sulfide makes up the pigments formulation, and its total accumulated UV exposure. Depending on these factors Lithopone B301, Lithopone B311 powder itself may vary in shade over time, ranging from pure white all the way to grey or even black. To suppress this effect, a dopant might be used, like small amount of cobalt salts, which would be added to the formulation. This process creates cobalt-doped zinc sulfide. The cobalt salts help to stabilize zinc sulfide so it will not have as severe a reaction to UV exposure.

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The author thanks Marco Leona, Scientist-in-Charge of the Department of Scientific Research at the Metropolitan Museum of Art for conducting fluorescence spectrometry on Wheel of Fortune and a valuable discussion of the research, as well as Silvia Centeno, Research Scientist at the Metropolitan Museum of Art, who performed Raman analysis on the watercolors and also contributed her insight. The phenomenon of the phosphorescing lithopone was originally discovered during the author's fellowship in the Sherman Fairchild Center for the Conservation of Works on Paper, funded by the Andrew W. Mellon Foundation. The author thanks all her colleagues for their ideas and support during the research of this paper, and special thanks to Rachel Mustalish for her assistance in editing this work.

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