titanium dioxide for coatings factory
This article discusses the discovery of phosphorescent lithopone on watercolor drawings by American artist John La Farge dated between 1890 and 1905 and the history of lithopone in the pigment industry in the late 19th and early 20th centuries. Despite having many desirable qualities for use in white watercolor or oil paints, the development of lithopone as an artists’ pigment was hampered by its tendency to darken in sunlight. Its availability to, and adoption by, artists remain unclear, as colormen's trade catalogs were generally not explicit in describing white pigments as containing lithopone. Further, lithopone may be mistaken for lead white during visual examination and its short-lived phosphorescence can be easily missed by the uninformed observer. Phosphorescent lithopone has been documented on only one other work-to-date: a watercolor by Van Gogh. In addition to the history of lithopone's manufacture, the article details the mechanism for its phosphorescence and its identification aided by Raman spectroscopy and spectrofluorimetry.
In conclusion, the price list for lithopone pigment in China is a complex interplay of raw material costs, production efficiency, technology, environmental regulations, export dynamics, and competition. It is essential for buyers to stay updated on these factors to make informed purchasing decisions. While prices may fluctuate, China's vast production capacity and competitive market ensure a steady supply of this crucial pigment to global markets.
The versatility of rutile TiO2 extends beyond its physical and chemical properties. It can be modified through various surface treatments, such as doping with other elements or compounds, to enhance its performance in specific applications. For example, doping with nitrogen can improve the photocatalytic activity of rutile TiO2, making it more effective at degrading organic pollutants.
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