rutile titanium dioxide industry grade for paint supplier

For instance, in the construction industry, titanium dioxide coatings are used on exterior surfaces to provide a protective barrier against weathering and UV radiation. This extends the lifespan of building materials such as cement, wood, and metals. Moreover, the bright white pigment of TiO2 can significantly improve the reflectivity of these surfaces, reducing heat absorption and potentially lowering cooling costs.

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This article discusses the discovery of phosphorescent lithopone on watercolor drawings by American artist John La Farge dated between 1890 and 1905 and the history of lithopone in the pigment industry in the late 19th and early 20th centuries. Despite having many desirable qualities for use in white watercolor or oil paints, the development of lithopone as an artists' pigment was hampered by its tendency to darken in sunlight. Its availability to, and adoption by, artists remain unclear, as colormen's trade catalogs were generally not explicit in describing white pigments as containing lithopone. Further, lithopone may be mistaken for lead white during visual examination and its short-lived phosphorescence can be easily missed by the uninformed observer. Phosphorescent lithopone has been documented on only one other work-to-date: a watercolor by Van Gogh. In addition to the history of lithopone's manufacture, the article details the mechanism for its phosphorescence and its identification aided by Raman spectroscopy and spectrofluorimetry.

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Le lithopone a été découvert dans les années 1870 par DuPont. Il a été produit par la Krebs Pigments and Chemical Company, entre autres1. Il se faisait en différents grades, en fonction de la teneur en sulfure de zinc. Les qualités « bronze » et « or » contenaient 40 à 50 % de sulfure de zinc, ce qui les rendaient particulièrement couvrantes2. Bien que ce pigment ait atteint son pic de popularité autour de 1920, il s'en produisait encore annuellement plus de 220 000 tonnes en 1990. Il est principalement utilisé dans les peintures, les pâtes et les plastiques3.

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In the sulfate process, the ore is first crushed and then heated with sulfuric acid. This reaction produces titanyl sulfate, which is subsequently treated with water to form titanium dioxide. The resulting precipitate is filtered, washed, dried, and calcined to produce the final product. One of the drawbacks of this method is the large amount of waste acid generated, which requires careful disposal to minimize environmental impact.

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