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Résumé–Cet article traite de la découverte de lithopone phosphorescent sur des dessins à l'aquarelle, datés entre 1890 et 1905, de l'artiste Américain John La Farge et de l'histoire du lithopone dans l'industrie des pigments à la fin du 19e et au début du 20e siècle. Malgré de nombreuses qualités souhaitables pour une utilisation en tant que blanc dans les aquarelles et les peintures à l'huile, le développement du lithopone comme pigment pour artistes a été compliqué de par sa tendance à noircir lorsqu'il est exposé au soleil. Sa disponibilité et son usage par les artistes demeurent incertains parce que les catalogues des marchands de couleurs n'étaient généralement pas explicites à indiquer si les pigments blancs contenaient du lithopone. De plus, lors d'un examen visuel, le lithopone peut être confondu avec le blanc de plomb et sa phosphorescence de courte durée peut facilement être ignorée par l'observateur non averti. À ce jour, le lithopone phosphorescent a seulement été documenté sur une autre œuvre: une aquarelle de Van Gogh. En plus de l'histoire de la fabrication du lithopone, cet article décrit le mécanisme de sa phosphorescence et son identification à l'aide de la spectroscopie Raman et de la spectrofluorimétrie.

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In conclusion, Chinese lithopone manufacturers play a crucial role in the global supply chain of this important white pigment. With their cost-effective production processes, commitment to quality, and focus on innovation, these manufacturers have established themselves as leaders in the industry. Customers around the world trust Chinese lithopone manufacturers for their reliable supply of high-quality products that meet their specific requirements. As the demand for lithopone continues to grow, Chinese manufacturers are well-positioned to meet the needs of the market and drive further growth in the industry.

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The lack of clear regulations and controls explains that P25TiO2NPs are still found in many of the commercialized sunscreens in the market. Some of them are coated to reduce the photoactivity of the anatase form, which is known to be responsible for tissue damage, but not enough studies were made on these coated forms. The anatase photoactivity could trigger the production of reactive oxygen species (ROS) generation, as it was stated before. The ROS are chemically reactive species containing oxygen, such as peroxides, superoxide, hydroxyl radical, and singlet oxygen. They are regularly produced in the biological milieu and counterbalanced by physiological antioxidant defense mechanisms. However, an abrupt increase of ROS may result in non-reversible damage to the skin cells. The effects of coated and uncoated P25TiO2NPs need therefore to be studied, and articles on this topic present different conclusions. [11][12][13] Recent literature on this topic found that TiO2NPs inhalation provokes serious genotoxicity and DNA damage [14][15][16][17]. On the other hand, some studies in rats have reported no significant harm to genetic material [18][19][20][21][22].

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  • China's commitment to sustainable development has led to significant improvements in the lithopone manufacturing process. Advanced technologies such as pollution control systems and energy-efficient equipment have been adopted to minimize the environmental footprint of the industry. Additionally, efforts are being made to develop more eco-friendly alternatives to traditional lithopone pigments, further reducing the industry's environmental impact.