titanium oxide price

Inventory: Low inventory of mainstream producers, it is expected that the overall size of spot inventory today is low, and there is less stock in mainstream factories.2. Mentality: the buyer has to prepare goods in advance, and the new order price is slightly less willing to purchase in bulk; Because the seller's inventory is small, the manufacturer has no willingness to reduce the price of sales, and the demand for new orders in the market is relatively large.Trend: The load of titanium dioxide enterprises is stable, the willingness to ship at low prices is not strong, and the downstream buyers still have inventory digestion, and the intention to supplement orders in the short term is limited. It is expected that the market price of titanium dioxide is stable today, and the market trading atmosphere is more general.
According to the feedback of manufacturers, the new orders of mainstream factories maintain stable prices, and the overall new volume of the market is limited. On the demand side, the terminal basically had batch replenishment last month, and the purchase intention of new orders was low; On the supply side, mainstream manufacturers normally produce and deliver goods, and the actual output of the industry is stable. Most factories quote a new price of 17,000 yuan/ton or more market negotiation range reference 16000-17200 yuan/ton, plastics and papermaking related downstream feedback part of the tight model price is higher. Recent titanium dioxide raw materials are expected to weaken, titanium dioxide price support is relatively limited, comprehensive market factors, the current titanium dioxide market many buyers hold a wait-and-see mentality.

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This article discusses the discovery of phosphorescent lithopone on watercolor drawings by American artist John La Farge dated between 1890 and 1905 and the history of lithopone in the pigment industry in the late 19th and early 20th centuries. Despite having many desirable qualities for use in white watercolor or oil paints, the development of lithopone as an artists’ pigment was hampered by its tendency to darken in sunlight. Its availability to, and adoption by, artists remain unclear, as colormen's trade catalogs were generally not explicit in describing white pigments as containing lithopone. Further, lithopone may be mistaken for lead white during visual examination and its short-lived phosphorescence can be easily missed by the uninformed observer. Phosphorescent lithopone has been documented on only one other work-to-date: a watercolor by Van Gogh. In addition to the history of lithopone's manufacture, the article details the mechanism for its phosphorescence and its identification aided by Raman spectroscopy and spectrofluorimetry.

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